"Bring it all Together" Workshop

Throughout the module I had learned a few new skills through various exercises such as colours, lighting and perspective. For the last exercise I will be incorporating these 3 skills that I had practiced from these previous exercises to produce a five-panel illustration narrative.

- Colour

- Lighting

- Perspective 

It was a good practice learning these skills over time of the course and I will now use what I have learnt so far to produce the work for this exercise. Everything I will be doing for this will be done digitally through Photoshop as I wanted to further improve my practice in my chosen medium. For the piece i decided to draw something that is of my current interests at the moment, and that is colours and scenery. Originally I was going to focus on creatures/characters, although I feel the need to improve on environment/scenery imagery. The idea for the piece is to create a atmospheric tone, which is one of the things I am currently working on for personal pieces outside of university study.

I had decided to approach the exercise to produce a very short narrative in the form of storyboard/graphic novel, because storyboards is something that I do want to practice rather than creating 5 pieces of artwork individually and make it into a set. I’m not exactly confident with perspective at the moment though I used a grid to create a 3rd dimensional space within the scene to get a rough idea of how things will be placed correctly as well as to draw objects and characters more accurately within the space itself. This will at least help for the problem solving to try and get things right for the images. 

Colour mixing is what I had enjoyed the most to be honest and experimenting with different colour choices and blending helps to choose which mixture of colours would be suitable for the illustration. Sometimes there could be more work into the mixture though the most important part is to play around with colour choices. 

Final piece for the exercise. Figure drawing could of have been slightly better since I need to practice more and for the colours/setting I am certainly confident with, though there can be some minor adjustments/tweaks to tidy up and to blend objects/scenery together so they won’t feel as if they are just slapped on top of each   other that would otherwise feel out of place. 

"Drawing the Line" Risograph Workshop

The workshop was to create a double page spread image that will be used in a publication that will be printed using only two colours through the Risograph printer. I approached the workshop by just simply creating a double page image with very little detail considering I have not used the Risograph printer before to print stuff and I may find it difficult to mix colours/colour separating various parts of the image. 

Colour separation for BLACK

Colour separation for BLUE

The two chosen colours is black and blue and the colour separation was manageable. If I had made the image slightly complicated or perhaps more detailed then it would of troubled me in some way to get things right. I’m not exactly fond of printing through the Risograph and its very limited colour palette on printing so I wanted to make the illustration simple so I can get some idea of how things work with the Riso, in terms of using the printer, colour separation and the technical side of it. 

Drawings in Rome - Rome Trip (28th Feb - 5th March 2016)

During the trip to Rome I was more focused on exploring the culture and famous areas of Italy (the colosseum and the Vatican) and I had not drawn much during my stay to be honest.

We had visited a few museums/galleries, though there had been some complications of policies with one or two museums that we are never allowed to draw, which was disappointing as there were some interesting subjects that I wanted to draw, i.e. statue heads. During the visit of the national gallery of Rome (3rd March) I had managed to draw a few sketches/drawings, but then a strange encounter then took up the rest of my time during the visit.

Statue heads sketches I had done in the National Gallery of Rome.

What happened afterwards as I was busy drawing my sketches, a lone elderly man approached me, admiring my sketches. I glanced at him and thought to be a passer-by who was just taking a quick peak into what I was doing, until he started speaking to me. He said “Draw face.” At first I didn’t know what he meant, until I realised that he was requesting me to do a portrait drawing of him!

Our language barrier was proving to be in the way, and I gave in for his request and accepted. He was willing to pay 20 Euros which is really surprising, and he seriously meant it! This strange encounter then turned into my first live commission for a customer!

I was nervous and a little shaky considering I had not done this before. I am not confident in drawing faces and was a little worried that the portrait drawing may not turn out as well and be unsatisfied with the result, plus I wasn’t sure if the customer would like it once I put time and as much effort into it, but in the end I had went ahead with the commission.

The result of the portrait drawing. I feel the drawing could of have been better and to be honest it’s not that great to my standard. To the customer, the drawing is ok, which I am more than happy to hear. As long as the customer is satisfied with the drawing, then it is ok for me. He then gave me the 20 Euros which he had promised.

The session had went overtime where I was supposed to meet up with the group to leave the gallery and had left in a rush. After catching up with the group and tutors I had told them about my experience and then I realised that I should have taken a photo of the elderly man so I can compare him to the portrait I had done.

Overall it was a weird experience and I wouldn’t have thought that something like this would happen. It’s just feels out of the blue! It was a good drawing experience in the end that had helped boost my confidence in drawing for a customer in a live commission in a public environment! 

Life Drawing - Movement

Quick observational drawings during movement. It was hard to capture the essence of movement in the drawings due to the difficulty of getting down the form and structure very quickly as the model moves around the studio. The drawings were done fairly quickly, but seems to fail to capture the walk/movement cycle, as I tend to focus on one part of the model to draw/study from, such as the head and part of the torso.

As usual I continue to concentrate on making short studies on one part of the model in various angles/perspective as the model loops around in her walk cycle. It was slightly hard to get as much detail and expressive marks to convey the structure in a very short time frame before the model moves out of perspective, though it was challenging to help me to remember as much as I can and to quickly draw them. 

Facial Expressions

Drawing faces was one of the things that I wanted to improve on, though one of the things that I tend to struggle on drawing was the facial expressions. I usually draw faces stylistically, though a good practice of drawing faces from life would help to explore the anatomy of the human face and the facial structures that help convey facial expressions. I struggled to draw the faces at first but I thought it would be best to break down the face and the expression into simpler shapes and lines to make things slightly easier to understand the form and shape rather going into detail.

Gesture - Poses

An experimental piece using Ink and a stick to create expressive mark makings for the life drawing session focusing on poses. Trying to keep the marks to a bare minimum so the illustration is not clustered/over saturated with a lot of markings and detail that would otherwise make the drawings look less expressive. Didn’t find it difficult although there are various poses I’m not exactly strong to draw out since the perspective or pose is not what I used to see/draw all the time, but at least this makes it a little more challenging rather than doing the norm in order to improve perspective.

Day trip to London Natural History Museum

A trip to London’s Natural History Museum and the V&A to draw from life as well as to explore the museums. As I have been there quite a number of times over the past few years, I never get tired of it, most of the time I end up looking at things I haven’t seen yet nor explore every part of the museum.

A sketch I had drawn from life which I later polished near the end of the trip. I didn’t want to spend a huge amount of time so I had timed myself to see how much I can get done, but I do want to take my time, and not to rush it for the sake of drawing it fast. Took me around 45 mins.